Wednesday, December 12, 2018

Another Writer's Journey

ManonBeach

Please accept my apologies for writing about myself. I generally try and avoid this as I feel I am nowhere near as important as the stories I tell (and those that we tell as far as the Celtic Myth Podshow is concerned). That having been said, let's plunge on in!

When I moved from Primary School to Secondary school (after the now legendary 11+ examination), one of my favourite lessons was the English class. At 11 years old I was far too young to understand much about Grammar or story/poem analysis, but I loved the act of creation involved in summoning imagery and meaning from words. Plain and simple words that when strung together could create pictures in my mind and feelings in my chest.

One memory that sticks in my mind as significant because it told me, even at that tender age that I had an intense desire to write, was a class exercise that progressed over an entire term. We were each asked to write a single-page, short and concise  story and then read it to the entire class. I was in heaven! I wrote an adventure story involving a dangerous trek in the jungle and eventual possible rescue. My story stretched the limits of our allotted time as I had filled well over a dozen pages of the small A5 exercise books that we used to be given at school. After I had finished - I don't remember exactly what the teacher said - my fellow class-mates were asked to give their feedback to the teacher and they all asked for more detail about my story and for the tale to be completed. The teacher, perhaps bowing to popular pressure, asked me to complete the story and for the next couple of weeks I wrote continuing episodes and read each out in turn to the class. The joy I felt in entertaining my peers with my my writing is a joy that has never left me. To give pleasure with mere words is something that can never be underestimated.

As my relationships with my school-mates developed, I played many games and don't remember writing much other that the allocated tasks that we were all set. Our play-ground games however were rapidly becoming increasingly complex. A small group of my intimate inmates decided to each take on the role of a particular leader/hero/ruler on a planet in some imaginary Science Fiction universe that we had decided upon. My own planet of bio-mechanical inhabitants acquired technical drawings of the transport system within its major cities, biological descriptions of the alien inhabitants (vaguely resembling cones on wheels as I recall!) and each city having its own history mapped out. Hours and hours of work. It never got used in our games of course, but for me the creation of back-story was as essential as the game itself.

Writing after Leaving School?

As my school-years were coming to an end, my close-knit circle of buddies discovered the very first 3 volume box-set of an imported game from America, ridiculously named "Dungeons & Dragons". The game was what later came to be known as a 'role-playing game' with one person acting as a story-teller come referee come guide and the other players taking on a role of a character within a Fantasy-based universe.

The big difference between this and other traditional methods of story-telling was that the actions that the players decided to take determined the future course of events within the story. The Fantasy universe moulded itself around us as we played. We were living in the story! I had come home! What an amazing discovery.

It wasn't long before I, myself, took on the part of the Dungeon Master (as the referee was called) and was creating my own interactive stories with a group of players. My own game had maps (based on hex-paper) that were filled in as the players explored the world I had created plastered all over one wall of my very small flat and the remaining space in my flat taken up with as many chairs as I could fill into the space. At one stage, our story had over ten people meeting weekly to continue their adventures and the whole story arc carried on for over a year.

That was something that required almost constant attention and a vast amount of time and energy to complete. Something that I would never advise anyone of even half-sane mind to contemplate doing!

Turning to Myths & Legends

Coming into my early 20's, my daily reading consumption increased and although I didn't put pen to parer at this time not only did my love of fiction grow and evolve but my love of mythological and religious stories also grew. My interests spread into a more academic and factual direction in order to find out where these stories came from and to seek answers as to why some versions of the same story were different and why there were similarities between stories from widely different cultures around the world. This was a long time before I discovered Joseph Campbell! My love of story, mythology and comparative religion eventually lead me to study ritual and magic - which, in my opinion, is yet another variety of living story. But that is really a different tale that I shall save for another day.

One of my greatest loves from my first days at Secondary schools was Tolkien's Lord of the Rings and the whole Middle-Earth mythos. To be fair, it is a love that I carry with me to this day. Back in 1977, I found the Silmarillion to be hard reading at my first attempt, but I fast grew to love it. In particular, the Song of Creation found in the first part, Ainulindalë, tells of the creation of Eä, the "world that is" struck a deeply resonant chord within my soul.

What happened next is something that I look back on with great awe and wonder. Without realising it, my next actions were to act as a prelude to the type of story-telling that I was to take up again 30 years later! I recorded myself reading the Ainulindalë accompanied by music by Tangerine Dream (I think the album was Phaedra) and loved every minute.

It was only when I listened to the cassette recording that I was over-whelmed and the hairs on my arms stood up and my heart raced with some form of excitement that I had never felt before. Something magical had happened. When I was reading about the Horns of Ulmo, resounding in the Deep Waters, there were horn blasts in the music. So much synchronicity happened in this reading whose true significance I missed at the time. This was something unique and wonderful. But hey-ho! - I was 18 years old, and forgot all about it in the rush of rapidly expanding teenage hormones in the following months.

Time for a Quick Break

Let's take a small break in the narrative here, while I grab a glass of water, you get to wonder what on earth you are doing wasting your time reading the drivel that I have written and I skip forward in time. As we go, we can jump over several failed attempts at both fiction and non-fiction writing, and arrive at the point in my life where my long-suffering wife (the gorgeous Ruthie) and I decide to start a podcast about Celtic Mythology. The Celtic Myth Podshow was born at Imbolc, 2008 - it seemed to us a suitable birthing time. Reading the complex Irish myths out aloud seemed to us an excellent way of learning them, understanding them and perhaps help other people out with the same tasks. It was only natural that eventually we would want to cover all the stories of the Celts that we could find.

For two years, I scripted the ideas we came up with and along with friends and family we recorded and released shows every fortnight. There was no way in this or any other universe that we could maintain this pace and were it not for my becoming seriously ill and requiring major surgery due to Cancer at the end of 2009, I think I/we would have burned out and never carried on making any shows or telling any more stories.

Health is something that when you are healthy you can often take for granted. I certainly did. Without it, each physical movement initially and later any focus or concentration became something that rapidly drained my energy. I learned about Spoon Theory very quickly indeed. Google it - it's worth it.

Life events (family, career, housing, finances etc.) began to overtake us in 2015-2016, and the rate at which we could produce shows dwindled as more and more of our focus and attention had to be placed on far more immediate concerns. I think we only managed to get out one show in 2016 and another in 2017. Early in 2017, I discovered that I had Leukemia and we were again forced to focus on health and the need to rapidly find a new home.

Patience, Pacing and Priorities

It is strange that no matter how important your writing is to you, or how much you value your creative work and no matter how much pleasure you get from seeing or hearing the joy that other people have from hearing or reading your work, there is no way that the inspiration will flow when your life's basics are under threat. I thought that writing and creating would be a great distraction form the more serious problems in our lives. I was, however, totally wrong. It just wouldn't happen. It took time - a long time - for me to even begin to accept this. Starting a new podcast, Celtic Tomes, was my refusal to accept that I could do nothing creative during this time. Eventually this podcast too had to come to a halt as life's needs escalated. This was a frustrating time that I am glad we seem to have passed through. It is over and I hope I have learned some very important lessons about patience, pacing and the priorities in our lives.

At the height of the Summer heatwave in this year (2018), we moved and began to unpack and settle. I could feel the relaxation beginning to seep into my bones. Despite the mountains of boxes around me, the presence of inspiration began to make itself felt.

For me, inspiration works in a very strange and yet defined way. It seems I have to make space in my life and my head, start the process off by moving a little way towards an idea and then whatever it is that comes from outside of myself, from the wider universe, from the Realms of the Fae or the Gods or whatever (be it Awen or Imbas or just plain Inspiration), I begin to feel its breath rushing into me towards a new creation. They say the word 'inspiration' comes from from the Proto-Indo-European root *en "in" + spirare "to breathe". Breathing in the Spirit of creation from the cosmos perhaps? It is interesting that the word 'spirit' also has the same roots....

Flexing My Muscles (as if!)

I felt I needed to flex my writing muscles again. "If you don't use it, you lose it" is a common expression, but I am not sure it means you forget how to write, but I think it may mean you lose contact with that flow of "spirit" or whatever that brings a creation into life and full being. I had been listening to podcasts about the Craft of Writing for some time and as October was approaching, I began to hear more and more about NaNoWriMo. NaNoWriMo stands for the "National Novel Writing Month" and it always takes place during the 30 days of November. In this time you do your best to write 50,000 words to create a novel (novella perhaps?). Success or failure is not strictly the main goal. The main goal of #NaNoWriMo is to get you writing.

So I made a decision to write a novel. Research and preparation of that novel has been one of the most enjoyable and rewarding pastimes that I have encountered in the last few years and I am incredibly excited to start writing on November 1st. My novel is going to be a ghost story set in the middle of a disaster zone at a place I know well in Hastings - the town where I was born.

It's only 10 days away now and I find myself 'itchy' to start writing. As I can't start on my novel until November, I found my mind drifting to other projects. Perhaps I could start thinking about the next book for the Celtic Tomes? So, I totaled the votes cast for the next book and started some preparation. Fantastic!

And yet, still the Universe had not finished with me.

Unfinished Business

Last week, I woke up wondering where my work period that day could be directed, opened my laptop and found myself opening up the Script for the Branwen story! The Second Branch of the Mabinogion is the next story to be told in our main podcast, the Celtic Myth Podshow, and the script is about half-way completed and stands at about 22,000 words. I found myself re-reading and editing what I had already written, suddenly aware that I was mentally preparing myself to finish the script. I sent my prayers of thanks up to the Gods or whoever was helping me with the inspiration and went to bed a very happy Gary.

A few days later, the realities of the situation began to sink into my dense, Neanderthal brow and I realised that if I were to avoid the same burn-out problems that I had hit before then I would have to heed the lessons of Pacing that I had tried to learn previously. I would have to take things very slowly indeed. I would have to work in tune with Life and not separate from it.

November is, for me, fully booked with NaNoWriMo and Life events, but after that, in the New Year, I can turn my attention back to the Branwen story and do some editing of my novel, some recording for Celtic Tomes and any other project that leaps into my mind. The important thing I have to remember, and I really must drive this home into my thickest of heads, is that I can only focus fully on one major project at a time. To do otherwise would be to tread, stagger and eventually fall on the stony path to a barren plain where nothing gets written.

Thank you for listening to the story so far.


Check out this episode!

Saturday, April 29, 2017

CMP031 Face to Face with Death


The ashen face of Death turns his gaze upon our hero!

In the last episode, Pwyll had gone hunting in the Woods of Glyn Cuch and had been beaten to the kill by a stranger pack comprising even stranger dogs. Having decided that the kill was rightfully his, he had driven off the other pack and set his own dogs upon the prey. It was at that moment that a stranger, the Shadowed Hunter, has appeared and was even now turning his dread gaze upon Pwyll. We'd also like to introduce our Special Surprise Guest Actor, Damh the Bard, who plays an important role in this show!

This episode is the second episode in our Welsh Mythology series and continues with the story of Pwyll, the Prince of Dyfed.

Full Show-notes, with sources and credits, can be found on our main Website at http://celticmythpodshow.com/welsh2

Running Order:

  • Intro 0:41
  • News & Views 1:15
  • DigVentures on the Radio 3:05
  • Story 9:30
  • Listener Feedback - Sean 126:12
  • Promo - Druidcast 20:33

We hope you enjoy it!

Gary & Ruthie x x x

 

Released: 12 May 2012, 32m

 

We love to get your feedback, please email garyandruth@celticmythpodshow.com, or call us on Speakpipe 


News & Views

We talk about the Flag Fen Rescue project, Flag Fen Lives, organised by DigVentures and the charity that manages Flag Fen, Vivacity. We also re-play the interview that Paul Stenton of BBC Camridgeshire's breakfast show had with Sarah Stannage of Vivacity and Lisa Westcott-Wilkins, the Managing Director of DigVentures.

Built by Bronze Age people as a place of worship and ritual, the causeway contains 60,000 upright timbers and 250,000 horizontal planks buried underground along with many swords and other personal 'offerings' to the watery fen. Now under threat of being lost to the elements, it is a matter of urgency to Rescue and research as much as possible within the remaining time. See how you can help the project and get involved on the DigVentures site.

 

Face to Face with Death: Part 2 of the First Branch and Part 2 of the Mabinogion

Names Used in this Story

Listed in order of appearance

  • Pwyll
  • Dyfed
  • Cuch
  • Glyn Cuch
  • Arawn
  • Annwn
  • Hafgan the Summer-White
  • "Storm"
  • Tylwyth Teg

 

Places mentioned in the Story

Episode 2 is also the second episode of the First Branch: Pwyll, Prince of Dyfed. The area of the Wales that Pwyll rules is called Dyfed, and at the estimated time of the writing of the First Branch (during the Medieval period). There is some debate as to the area of the original seven cantrefs, and Wiki provides us not only with a revised version but also names the seven areas. This is the area as it was known in the 7th Century and although the tales were not written down until the early medieval period, there is much evidence - linguistic and political - to suggest that the events recounted in the Mabingion, based on real events and/or mythology, took place at this time.

Click on the image to see it enlarged.

The actual journey that Pwyll makes in this episode is derived from clues given within the various translations and is, essentially, an educated guess! :) However, below you can see the path that Pwyll would have taken in traverlling from Arberth to Glyn Cuch.

Click on the image to see it enlarged.

The actual journey that Pwyll makes in this episode is derived from clues given within the various translations and is, essentially, an educated guess! :) However, below you can see the path that Pwyll would have taken in traverlling from Arberth to Glyn Cuch, and also from the map above that he would actually have been travelling from one Cantref to another in the journey.

 

Listener Feedback

Sean

We play some audio feedback from our friend Sean who runs the IRFT Celtic Radio show as often as he can. Thank you for your thoughts Sean and we wish you the best of luck with keeping your station on the air.

 

Promo - IRFT Celtic Music ... with a Twist

Sean


Music from the seven celtic nations, and the Americas. We play Folk-Rock radio and Rock radio. Sadly, Sean has had some problems keeping the show on the air but you can still visit his Myspace page and read his blogs. He has deliberately left the page as a tribute to the great musicians he has featured. IRFT Celtic Music ... with a Twist

 

Promo - Druidcast

Damh the Bard & O.B.O.D.


Druidcast

Your host is Damh the Bard and each episode he will feature poetry, story and song offered by Bards throughout the world. There will also be interviews with people from the Druid tradition, seasonal thoughts, explorations of Celtic mythology and history, reviews, and competitions.

You can hear the full podcasts at: http://www.druidcast.libsyn.com/ or subscribe through your podcatcher, or through iTunes.

 

Huge Thanks to our Guest Actors

Damh the Bard

We also would like to say a really big 'Thank you' to Damh the Bard for playing the part of Arawn in our Tale, and would like to remind you that you can find him and his wonderful music on his website or listen to him on Druidcast podcast.

 

Sources used in this Episode

The Mabinogion, pp ix-xxxvi, 3-21, 227-232, Sioned Davies , Oxford, 2007, ISBN 978-0-19-283242

The Mabinogion, pp 9-41, 45-65, Jeffrey Gantz, Penguin, 1976, ISBN 0-14-044322-3

The Mabinogion, pp ix-xliv, 3-24, 275-278, Gwyn Jones & Thomas Jones, Dent & Dutton, 1977, ISBN 0-460-01097-2. Can also be found online at www.donaldcorrell.com

Pwyll Pendeuc Dyfed, Lady Charlotte Guest, Mary Jones

Pwyll, Prince of Dyfed, Lady Charlotte Guest, 1877, Sacred Texts

Notes to Pwyll, Prince of Dyfed, Lady Charlotte Guest, 1877, Sacred Texts

The Mabinogion, Lady Charlotte Guest, 1849, Project Gutenberg

The Mabinogi of Pwyll, W. M. Parker, mabiongi.net. Notes at mabinogion.info

'The Lord of Dyfed', from Legends of the Celts, p.134ff, Frank Delaney, HarperCollins, 1991, ISBN 0-586-21151-9

Tales from the Mabinogion, Gwyn Thomas & Kevin Crossley-Holland, Gollancz, 1984, ISBN 0-575-03531-5

Celtic Myths & Legends, p.147ff, Michael Foss, Selectabook Ltd., 1998, ISBN 0-75252-402-X

Prince of Annwn, Evangeline Walton, Del Rey, 1974, ISBN 0-345-27060-6

Encyclopaedia of Celtic Wisdom, p.117, 156, Caitlin & John Matthews, Element, 1994, ISBN 1-85230-560-6

The Celts, p.211, Frank Delaney, Grafton, 1989, ISBN 0-586-20349-4

Women in Celtic Myth, Moyra Caldecott, Arrow, ISBN 0-09-955920-X

Celtic Heritage, p.41 ff, Alwyn & Brinley Rees, Thames & Hudson, 1978, ISBN 978-0500110089

Pagan Celtic Britain, p.288, Anne Ross, Constable, 1967, ISBN 0-09-472330-3

'Myth in the Mabiogion', from A Celtic Reader, p.151, John Matthews, Aquarian, ISBN 0-85030-935-2

Celtic Myths and Legends, p.356 ff, T. W. Rolleston, 1995, ISBN 978-1859580066

Celtic Folklore: Welsh & Manx Vol.2, pp 499ff, John Rhys, Wildwood House, 1980, ISBN 0-7045-0406-5

The White Goddess, p.215ff, Robert Graves, Faber, 1952

And, of course, the Awen - inspiration and imagination!

 

Special Thanks

For incidental music:

Seraphic Panoply, Tribesman from The Darkshore Collection. See the Contributor page for more details.

Silence, Cellule from his album L'autre endroit. See the Contributor page for more details.

Roger Subirana, Jugant amb les estrelles from his album L'indret prohibit and A piece of heaven from his album Point of No Return. See his Contributor page for more details.

DIY-Note, Un from their album Ruptures. See the Contributor page for more details.

Diane Arkenstone The Secret Garden. See the Contributor page for details.

Kim Robertson, Angels in Disguise, All or None . See the Contributor page for details.

Jigger Time Ticks Away. See the Contributor page for details.

 

For our Theme Music

The Skylark and Haghole, the brilliant Culann's Hounds. See their Contributor page for details.

 

Extra Special Thanks for Unrestricted Access to Wonderful Music

(in Alphabetic order)

Anne Roos Extra Special thanks go for permission to use any of her masterful music to Anne Roos. You can find out more about Anne on her website or on her Contributor page.

Caera Extra Special thanks go for permission to any of her evocative harping and Gaelic singing to Caera. You can find out more about Caera on her website or on her Contributor Page.

Celia Extra Special Thanks go for permission to use any of her wonderful music to Celia Farran. You can find out more about Celia on her website or on her Contributor Page.

Damh the Bard Extra Special thanks go to Damh the Bard for his permission to use any of his music on the Show. You can find out more about Damh (Dave) on his website or on his Contributor page.

The Dolmen Extra Special thanks also go to The Dolmen, for their permission to use any of their fantastic Celtic Folk/Rock music on the Show. You can find out more about The Dolmen on their website or on our Contributor page.

Keltoria Extra Special thanks go for permission to use any of their inspired music to Keltoria. You can find out more about Keltoria on their website or on their Contributor page.

Kevin Skinner Extra Special thanks go for permission to use any of his superb music to Kevin Skinner. You can find out more about Kevin on his website or on his Contributor page.

Phil Thornton Extra Special Thanks go for permission to use any of his astounding ambient music to the Sonic Sorcerer himself, Phil Thornton. You can find out more about Phil on his website or on his Contributor Page.

S.J. Tucker Extra Special thanks go to Sooj for her permission to use any of her superb music. You can find out more about Sooj on her website or on her Contributor page.

Spiral Dance Extra Special thanks go for permission to use Adrienne and the band to use any of their music in the show. You can find out more about Spiral Dance on their website or on their Contributor page.


Get EXTRA content in the Celtic Myth Podshow App for iOS, Android & Windows


Contact Us:
You can leave us a message by using the Speakpipe
Email us at: garyandruth@celticmythpodshow.com.
Facebook fan-page http://www.facebook.com/CelticMythPodshow,
Twitter (@CelticMythShow) or Snapchat (@garyandruth),
Pinterest (celticmythshow) or Instagram (celticmythshow)

 

Help Spread the Word:
Please also consider leaving us a rating, a review and subscribing in iTunes or 'Liking' our Facebook page at http://www.facebook.com/CelticMythPodshow as it helps let people discover our show - thank you :)

If you've enjoyed the show, would you mind sharing it on Twitter please? Click here to post a tweet!

Ways to subscribe to the Celtic Myth Podshow:

 

Save


Check out this episode!

CMP Special 01 Beltane 2008


Celebrate Beltane with Fairies, Music and Celtic traditions!

Always great to hear from you! Email garyandruth@celticmythpodshow.com, or Speakpipe



Show Summary:

We celebrate the ancient Celtic Fire Festival of Bealteinne with some pieces about Celtic and Fairy traditions, a fascinating short story set in ancient Cornwall and some wonderful Celtic music. Come join in the fun!

More resources over at our main Website at http://celticmythpodshow.com

Running Order:

We hope you enjoy it!

Gary & Ruthie x x x

 


 

News & Views

We talk about the beauty of the season and explain that this episode is about an hour long being a special episode. We reassure new listeners that the normal episodes are only 25 minutes long. We also play a Promo for Mary Jones, whose amazing website provides much of the source material that we use in bringing you these stories: www.maryjones.us.

 

The May Festival by Lady Wilde

from "Ancient Legends, Mystic Charms, and Superstitions of Ireland"

We start with a brief biography of Lady Francesca 'Speranza' Wilde, who was born in 1821 and was the mother of the famous Oscar Wilde.

We then read a section of her book, Ancient Legends, Mystic Charms, and Superstitions of Ireland about May Day festivities and beliefs.

 

Memorial to Lady Wilde and her husband located in Mount Jerome Cemetery, Dublin

 

The Hills They Are Hollow

by Damh the Bard

Perhaps one of our all-time favourite tracks based in Celtic Mythology by Damh the Bard.

Damh is a modern-day Bard whose spirituality, and love of folk tradition, is expressed through his music, storytelling and poetry. Drawing on the Bardic traditions his performances are both entertaining and educational, weaving a tapestry of myth, peace, and anthems that speak directly to the heart, but never without a good splash of humour. Damh is a musical storyteller who works within the world of myth that cannot be proved; where the Faerie really do dance on Midsummer's Eve, where the trees talk, and the Hollow Hills take you into the realms of Annwn. Where the Goddess rides her horse, guiding you to magic, and the Horned God of old calls us from the shadows of the Greenwood.

You can find his music on iTunes, Woven Wheat Whispers or from his website, Pagan Music. He is also the voice behind Druidcast, the official podcast of the Order of Bards, Ovates and Druids (OBOD, for short) - modern day Druids. You can find Druidcast here and find out more about OBOD here. You can find out more details about Damh on his Contributor Page on our website.

 

Castledore, 23 AD by Simon Mitchell

from "Secrets of the Valley 1: The Lily"

We start with a short biography of Simon Mitchell, whom we know as Simon the Scribe, a regular contributor to our website. We introduce to his ecologically based work and to Secrets of the Valley book 1: The Lily. We then read Chapter 2 to you to introduce you to the story. We'd like to give Simon special thanks for his permission to bring you this story and, if you enjoyed it, urge you to read his book.

Secrets of the Valley, a Cornish trilogy. An ancient matrix of energy lies hidden in the earth, its existence and purpose all but forgotten. One strand, named 'The Dragon Line' passes through Cornwall, a land steeped in history and mystery since the dawn of time. Here the line passes through the valley of the River Fowey. A lone ghost, abandoned in the valley of his birth, tells how the line of energy has been usurped, unbalancing the whole planetary energy matrix. In 'The Lily', the first novel of this extraordinary trilogy, we share his lives as he tells his tale of 2000 years in the Fowey valley. He sets a crucial task, to mend the Dragon Line and restore the balance of power, before time itself runs out. About the author - Simon Mitchell is part of the 'green wave' working in Cornwall UK. " I find an authentic and meaningful life by researching, writing and publishing my own, and other people's media, on the themes of sustainable living, nature and ecology. This trilogy of books under the heading of 'Secrets of the Valley' celebrates the wonders of nature in providing us with all we need." [source]

You can find out more about Simon. Some of Simon's wonderful recipes, green thoughts and other articles and advice can be found here. The Lily is now available on the kindle at a really low price - grab it now! :)

 

Haghole

by Culann's Hounds

Our second musical treat for this special is the theme music to our show, 'Haghole' by the amazing San Francisco band, Culann's Hounds.

Name a musical act after one of the great warriors of Irish legend, and you’d better be prepared to crank out some energetic, larger-than-life performances. That’s precisely why Culann’s Hounds has been a favorite on the San Francisco scene for six years—and is now bringing their self-described punk-Irish-hoedown sensibility to a larger audience. The melodies of Steve Gardner (fiddle) and Renee de la Prade (button accordion); harmonies of Mike Kelleher (guitar); and rhythm of Scott Marshall’s bodhran meld with rich vocals that are a staple of the Irish tradition.

Culann's Hounds

Their main home on the web is http://www.sfhounds.com/ but you can also find them on Myspace, where you can hear more music, see a video and find out their tour dates.

You hear more of their music here and buy their albums on CD Baby. You can find out more details about the Hounds on her Contributor Page on our website.

 

May Day Superstitions

by Lady Francesca Wilde

The young Lady Wilde

We finish off with another piece by Lady Francesca Wilde about some of the superstitions observed over time in Ireland. You can find this text on Sacred Texts and also in Library Ireland.

 

Sources Used

Ancient Legends, Mystic Charms, and Superstitions of Ireland, Lady Wilde, Sacred Texts

Library Ireland

Damh the Bard

OBOD

Simon the Scribe

And, of course, the Awen - inspiration and imagination!

 



Get EXTRA content in the Celtic Myth Podshow App for iOS, Android & Windows


Contact Us:
You can leave us a message by using the Speakpipe
Email us at: garyandruth@celticmythpodshow.com.
Facebook fan-page http://www.facebook.com/CelticMythPodshow,
Twitter (@CelticMythShow) or Snapchat (@garyandruth),
Pinterest (celticmythshow) or Instagram (celticmythshow)

 

Help Spread the Word:
Please also consider leaving us a rating, a review and subscribing in iTunes or 'Liking' our Facebook page at http://www.facebook.com/CelticMythPodshow as it helps let people discover our show - thank you :)

If you've enjoyed the show, would you mind sharing it on Twitter please? Click here to post a tweet!

Ways to subscribe to the Celtic Myth Podshow:

 


Special Thanks

For our Theme Music:

The Skylark and Haghole, the brilliant Culann's Hounds. See their Contributor page for details.

Extra Special Thanks for Unrestricted Access to Wonderful Music

(in Alphabetic order)

Anne Roos Extra Special thanks go for permission to use any of her masterful music to Anne Roos. You can find out more about Anne on her website or on her Contributor page.

Caera Extra Special thanks go for permission to any of her evocative harping and Gaelic singing to Caera. You can find out more about Caera on her website or on her Contributor Page.

Celia Extra Special Thanks go for permission to use any of her wonderful music to Celia Farran. You can find out more about Celia on her website or on her Contributor Page.

Damh the Bard Extra Special thanks go to Damh the Bard for his permission to use any of his music on the Show. You can find out more about Damh (Dave) on his website or on his Contributor page.

The Dolmen Extra Special thanks also go to The Dolmen, for their permission to use any of their fantastic Celtic Folk/Rock music on the Show. You can find out more about The Dolmen on their website or on our Contributor page.

Keltoria Extra Special thanks go for permission to use any of their inspired music to Keltoria. You can find out more about Keltoria on their website or on their Contributor page.

Kevin Skinner Extra Special thanks go for permission to use any of his superb music to Kevin Skinner. You can find out more about Kevin on his website or on his Contributor page.

Phil Thornton Extra Special Thanks go for permisssion to use any of his astounding ambient music to the Sonic Sorcerer himself, Phil Thornton. You can find out more about Phil on his website or on his Contributor Page.

S.J. Tucker Extra Special thanks go to Sooj for her permission to use any of her superb music. You can find out more about Sooj on her website or on her Contributor page.

Spiral Dance Extra Special thanks go for permission to use Adrienne and the band to use any of their music in the show. You can find out more about Spiral Dance on their website or on their Contributor page.

We'd like to wish you 'Hwyl fawr!', which is Welsh for Goodbye and have fun, or more literally Wishing a Good Mood on you!

 

 

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CMP Special 43 Sussex Celts, Fairies & Folklore


Folklore, Fairies, Cold Iron of Sussex and Puck of Pook's Hill

 

This is our biggest show ever! A real MONSTER of a show with an excerpt from the fascinating book, British Witch Legends of Sussex which you can get hold of from the publisher Country Books, a great story by Rudyard Kipling all about that tricky Fey, Puck and six pieces of great Fairy-inspired music. It's all topped off by two poems - including one poem read by our 9-year old Grand-daughter, Amielia!

Full show-notes, details and Contributor pages over at our main Website at http://celticmythpodshow.com/sussex

Running Order:

We hope you enjoy it!

Gary & Ruthie x x

Released: 3rd April 2017, 1hr 51m

It's always great to hear from you! Email garyandruth@celticmythpodshow.com, or call us using Speakpipe


News & Views

We bring you up-to-date with the progress of the website updates and let you know that the Scripting for Branwen, Daughter of Llŷr, is nearing completion. We also let you know that all of our shows are now hosted on the much more secure and speedier Libsyn servers, and the Shownotes pages can also be found there.

 

Pica Pica

by Kate Fletcher & Corwen Broch

Pica Pica is a song stitched together from Magpie rhymes. Fishe or Fowle is Kate and Corwen's new duo CD. It is a double CD with 25 tracks. Available now, as a physical CD from their website or to download from Bandcamp.

They are musicians, instrument makers and workshop leaders who perform folk music and drama, recreate Ancient music and instruments, make crafts, run workshops for schools and demonstrate at museums and other events. You can find out more about these talented folks on their website or on our Contributor Page.

 

Trip to Skye/Dance to your Daddy

by Mike Gulston

This beautiful Medley is made up by Mike's version of Trip to Skye, that he has sped up to a Mazurka rhythm and a beautiful rendition of Dance to your Daddy. He has written his own extra verse to this traditional English folk song. Mike's new solo album, Barking, was released in May 2016, an eclectic collection of traditional and modern songs, ranging from totally silly to tragic, romantic and singalong.

For more details about Mike, and his work with Blanche Rowen, see their website or our Contributor Page.

 

British Witch Legends of Sussex

by Shaun Cooper

The book includes over sixty Sussex witch legends, mostly in their original texts, and they are compared with witch legends from the rest of the country - so the book is essentially a comparative study of witch legends, albeit with a very strong Sussex emphasis. Other subjects covered are: Sussex fairy and Devil legends, and dragons, Roman roads, the origins and dissemination of witch legends, and so forth.

You can see an interactive map of this area on Google Maps or download the KML file for Google Maps/Earth.

You can find out more about Shaun and where to get hold of his book on our Contributor Page on with his Publisher, Country Books.

We discuss which tribes might fall into the categories of Iron Age 'A', 'B' and 'C' Celts that are referred to in the reading. Although there are some discrepancies with the dating, the history does make sense when compared with the movements of the Atrebates, Catevellauni and Cantiaci tribes at the time of the Roman Conquest of Britain (A.d. 43). Our sources are:

 

Faerie Tale

by Spiral Dance

Magick

Multi-award winning group Spiral Dance, based in Adelaide, has been playing rousing, high-energy music to enthusiastic audiences throughout Australia and beyond for over a decade. With a combination of haunting vocals, evocative fiddle, intoxicating guitar riffs and groovy accordion lines, underpinned with potent bass and dynamic percussion, the band presents an eclectic blend of traditional folk-rock with powerful self-penned songs and tunes. Enchanting melodies intertwine with mythical tales that are sure to captivate your soul, tease your mind and steal your heart, casting your spirit into the realms of magic and the mists of ancient time.

We are privileged to bring you the evocative track, Faerie Tale from their album Magick, for our Sussex Celts Show, and you can find the lyrics on their site. You can find out more about Spiral Dance on their website or on our Contributor Page.

 

Scarborough Faire

by Jenna Greene & Kellianna

Traditions

Kellianna is an American Neo-Celtic singer and songwriter internationally renowned for her powerful performance of song and chant inspired by myth, magic, sacred places and ancient times. Jenna Greene, "The Greene Lady", is a weaver of musical myth and magic. With a voice that is both ethereal and soulful, she sings of ancient lore, finding wonder and following dreams.

Scarborough Faire is just one of the heart-lifting traditional folk songs on the wonderful collaborative album, Traditions, by Kellianna. You can find out more about the Kellianna on her Contributor Page or more about Jenna Greene on her Contributor Page.

We talk about the origins of the original Scarborough Fair and the significance of the Parsley, Sage, Rosemary, and Thyme herbs.

 

Cold Iron from 'Rewards and Fairies'

by Rudyard Kipling

Rudyard Kipling

Rudyard Kipling was an English journalist, short-story writer, poet, and novelist. Kipling's works of fiction include The Jungle Book (1894), Kim (1901), Puck of Pook's Hill (1906) and many short stories, including "The Man Who Would Be King" (1888). His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden" (1899), and "If—" (1910). He is regarded as a major innovator in the art of the short story; his children's books are classics of children's literature, and one critic described his work as exhibiting "a versatile and luminous narrative gift".

Rewards and Fairies is a historical fantasy book by Rudyard Kipling published in 1910. The book consists of a series of short stories set in historical times with a linking contemporary narrative. Dan and Una are two children, living in the Weald of Sussex in the area of Kipling's own home Bateman's.

Batemans

Bateman's, Sussex

They have encountered Puck and he magically conjures up real and fictional individuals from Sussex's past to tell the children some aspect of its history and prehistory, though the episodes are not always historically accurate. Another recurring character is Old Hobden who represents the continuity of the inhabitants of the land. His ancestors sometimes appear in the stories and seem very much like him.

The full text of Rewards & Fairies can be found on Project Gutenberg. For more details about Rudyard Kipling visit the Wiki Page or Kipling Societ's website.

 

Shakespeare's Puck & Sussex Pharisees

We discuss how Shakespeare may have heard the folklore of Puck on his travels with the Elizabethan court. The local Sussex word for Fairies, Pharisees, comes from the double plural found in the dialect - 'fairies-ies' or 'pharisees'.

"Then we have 'Puck' or 'Pook', which is derived from the Saxon word 'Puca', meaning a Goblin (Smith 1956 p.74). Both modern forms are common in placenames as will be seen later in this article, but also occurs as dialect description of fairies, but not just Goblins, which are seen as mischievous or nasty fairies (Simpson & Roud 2000 p.286). 'Dobbs' or 'Master Dobbs' is a name used for a house fairy that helps with the housework. If someone has been working harder than expected, it was often said of them that 'Master Dobbs has been helping you' (Parish & Hall 1957 p.31)." [Sussexarch.org]

 

Iron from Stone

by Damh the Bard


This song, Iron from Stone, is inspired by the earlier song, Scarborough Faire. Damh tells us:

"Scarborough Faire is an amazing song. Such a wonderful melody and lyric that tells of all of the impossible tasks a human woman would need to achieve to be with a man from Elfland. But I began to wonder…

"These wonderful folk songs have been left us by anonymous writers from years ago and have been sung ever since. But is there another story behind Scarborough Faire? What about that songwriter from years ago? What inspired them to write such a song? So I thought I would tell that story." Damh the Bard

You can find his music on iTunes, or from his website, Pagan Music. He is also the voice behind Druidcast, the official podcast of the Order of Bards, Ovates and Druids (OBOD, for short) - modern day Druids. You can find Druidcast here and find out more about OBOD here. You can find out more details about Damh on his Contributor page on our website.

 

Cold Iron

by Rudyard Kipling

Puck, Dan and Una

Puck, Dan & Una

"Cold Iron" is a poem written by Rudyard Kipling published as the introduction to Rewards and Fairies in 1910. In 1983, Leslie Fish set the poem to music and recorded it as the title track on her fifth cassette-tape album.

 

Song of the Travelling Fairies

by Kate Fletcher & Corwen Broch

Kate Fletcher & Corwen Broch

Song of the Travelling Fairies is a Manx lullaby collected in 1930 by Mona Douglas from Caesar Cashin who said that after each verse there used to be a little dance imitating the movements of the particular bird named. It comes from Fishe or Fowle - Kate and Corwen's new duo CD. It is a double CD with 25 tracks. Available now, as a physical CD from their website or to download from Bandcamp.

 

Listener Feedback

from Natasha in Portsmouth

We play some Audio feedback from Natasha in Portsmouth who recommends the lovely music of Lisa Thiel.

 

There are fairies at the bottom of our garden

by Rose Fyleman, read by Amielia

Amielia

Rose Fyleman (1877–1957) was an English writer and poet, noted for her works on the fairy folk, for children. Her poem There are fairies at the bottom of our garden was set to music by English composer Liza Lehmann. This classic, famous and iconic poem first appeared in her book, Fairies and Chimneys, in 1917. It is read here by our 9-year-old grand-daughter, Amielia who makes her reading debut on our Show!

 


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Special Thanks

BertycoX, for Rain in a Desert from Film'O Graf. See the Contributor Page for details.

Armolithae, for Endless Blue from Artanis and Journey from Beneath the Iron Star. See the Contributor Page for details.

Kenjiakira, For all the children of the earth from Azur Requiem. See the Contributor Page for details.

Julien Boulier, for Dogen Poignance from Erable and Remanence Prisme from the album Remanence. See the Contributor Page for more details.

Pascal SER'JACOBS, for Realité virtuelle from the album Confusion. See the Contributor Page for more details.

Keltoria, for The Gathering Storm from the album Lia Fail (Stone of Destiny) and Hollow Hills from Beyond the Wildwood. See the Contributor Page for more details.

XCyril, for Max s'introduit chez Zeger et commence a fouiller from the album Alter Ego. See the Contributor Page for more details.

Esgi, for Dawn of Mind, from the album Echoes in Time. See the Contributor Page for more details.

Victor Stellar, for Kaleidoscope. See the Contributor Page for more details.

VS, for Libera from Libera. See the Contributor Page for more details.

Flavio Simone, Absence infini from Orchestrale. See his Contributor Page for more details.

Adragante, for Harmonies from Harmonie Cosmique. See the Contributor Page for more details.

Tolen, Free Play Music

 

For incidental music:

Diane Arkenstone The Secret Garden. See the Contributor Page for details.

Kim Robertson, Angels in Disguise. See the Contributor Page for more details.

Jigger, Time Ticks Away. See the Contributor Page for more details.

 

For our Theme Music:

The Skylark and Haghole, the brilliant Culann's Hounds. See their Contributor page for details.

Additional Sources

OBOD

And, of course, the Awen - inspiration and imagination!

 

Extra Special Thanks for Unrestricted Access to Wonderful Music

(in Alphabetic order)

Anne Roos Extra Special thanks go for permission to use any of her masterful music to Anne Roos. You can find out more about Anne on her website or on her Contributor page.

Caera Extra Special thanks go for permission to any of her evocative harping and Gaelic singing to Caera. You can find out more about Caera on her website or on her Contributor Page.

Celia Extra Special Thanks go for permission to use any of her wonderful music to Celia Farran. You can find out more about Celia on her website or on her Contributor Page.

Damh the Bard Extra Special thanks go to Damh the Bard for his permission to use any of his music on the Show. You can find out more about Damh (Dave) on his website or on his Contributor page.

The Dolmen Extra Special thanks also go to The Dolmen, for their permission to use any of their fantastic Celtic Folk/Rock music on the Show. You can find out more about The Dolmen on their website or on our Contributor page.

Keltoria Extra Special thanks go for permission to use any of their inspired music to Keltoria. You can find out more about Keltoria on their website or on their Contributor page.

Kevin Skinner Extra Special thanks go for permission to use any of his superb music to Kevin Skinner. You can find out more about Kevin on his website or on his Contributor page.

Phil Thornton Extra Special Thanks go for permission to use any of his astounding ambient music to the Sonic Sorcerer himself, Phil Thornton. You can find out more about Phil on his website or on his Contributor Page.

S.J. Tucker Extra Special thanks go to Sooj for her permission to use any of her superb music. You can find out more about Sooj on her website or on her Contributor page.

Spiral Dance Extra Special thanks go for permission to use Adrienne and the band to use any of their music in the show. You can find out more about Spiral Dance on their website or on their Contributor page.

SaveWe finish off by wishing you 'Hwyl Fawr', which is Welsh for 'Goodbye and have fun'!

 

 

Save


Check out this episode!